Movies Like MOTHER

In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family.

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Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

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The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.

An unhappy young woman from an abusive family is married off to a fearsome and chilly army commander. But the two learn more about each other, love may have a chance.

After being diagnosed with a terminal illness, Futaba resolves to spend her remaining time reuniting her broken family, reopening the long-closed bathhouse, and helping her shy daughter Azumi learn to stand on her own.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

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After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

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After running away from her abusive mother, a streetwise teen seeks refuge with her father, but he rejects her when he learns that she's pregnant.

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In Tokyo, Japan, several grotesque murders take place on rainy days. Detective Sawamura, who is in charge of the case, soon discovers that his own family is connected to the crimes.

On Christmas Eve, three homeless people living on the streets of Tokyo discover a newborn baby among the trash and set out to find its parents.

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Akira works as a lawyer. One day, he meets with his former client Rie, who asks Akira to perform a background check on her late husband Daisuke.

Grace, a compassionate young supervisor at a foster care facility, helps at-risk teens. But when a new charge dredges up memories of her own troubled past, Grace's tough exterior begins eroding.

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A young girl is raised in a dysfunctional family constantly on the run from the FBI. Living in poverty, she comes of age guided by her drunkard, ingenious father who distracts her with magical stories to keep her mind off the family's dire state, and her selfish, nonconformist mother who has no intention of raising a family, along with her younger brother and sister, and her other older sister. Together, they fend for each other as they mature in an unorthodox journey that is their family life.

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Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.

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Susan, a single mother of two, works as a waitress in a small town. Her son, Henry, is an 11-year-old genius who not only manages the family finances but acts as emotional support for his mother and younger brother. When Henry discovers that the girl next door has a terrible secret, he implores Susan to take matters into her own hands.

Brash single mother Nikuko is well-known for her bold spirit, much to the embarrassment of Kikuko, her pensive yet imaginative daughter. In contrast to her mother, Kikuko wants nothing more than to fit in as she navigates the everyday social dramas of middle school. Life in the harbor is peaceful until a shocking revelation from the past threatens to uproot the pair's tender relationship.

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Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.

A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.